Monday, April 14, 2008

Let's Watch "The Kite Runner" and "Lions for Lambs"

On consecutive nights I watched two films about Afghanistan: The Kite Runner which was a story of friendship and loyalty set just before the start of the war with the Russians, and also Lions for Lambs a sorta assessment of the war on terror told from 3 connected storylines.

The Kite Runner is the story of two friends, who live mostly happy lives flying kites in Kabul. The rich friend witnesses a horrible attack on his poor, servant friend but lacks the courage to do or say anything to help him. Unable to live with the fact he is a coward, the rich boy sabotages his servant friend, making his father believe the servant boy is a thief. The servant boy and his father are forced to leave the estate of his friend, and as the Taliban move to control Afghanistan the boys are separated by even more distance as the rich boy and his father flee to America. Years later upon the publishing of his first novel, the rich friend learns that his friend has been murdered by the Taliban and must return to Afghanistan to retrieve the man's son.

I enjoyed this movie because it's just a great human story. There are secrets and lies and imperfections in the characters. It appeals to baser emotions and while offering a setting that you don't often see in Hollywood films, creates a great new take on Friendship movies.

For a film starring Robert Redford, Meryl Streep and Tom Cruise(who I actually like as an actor), Lions for Lambs was a huge disappointment. Redford plays a political science professor talking to a cynical student with lots of potential, about these two other students who enlisted in the Army and are now in Afghanistan carrying out this plan devised by a senator(played by Cruise) who is being interviewed by a once respected journalist(played by Streep). That's pretty much all of it in a nut shell. No new bits of information about the war on terror or anything controversial at all. Just an uncompelling story and characters that you could care less about.

Also watched:
Diner - 7 of 10
The Indian Runner - 8 of 10
The Ice Storm - 7 of 10

and re-watched:
The Cider House Rules - 7 of 10
Mystic River - 8 of 10
Kiss Kiss, Bang Bang - 8 of 10

Monday, April 7, 2008

Charlton Heston



When I sat down on Saturday afternoon to watch The Omega Man, I had no idea that I would wake up on Sunday to discover that Charlton Heston had died. It is sad to lose such an iconic figure in American movie history. Perhaps better than any other actor, Heston found the perfect balance between serious acting(Playing Moses in The Ten Commandments and winning the Oscar for Best Actor in Ben Hur), and crowd pleasing, camp films. I never sat down and watched his big studios pictures from start to finish, choosing instead to lose myself in the solitary pursuits of Colonel Robert Neville or crazy discovery made by Detective Robert Thorn in Soylent Green. There was also his role as the title character in Sam Peckinpah's little seen film Major Dundee, where Heston plays a Calvary man leading a rag tag group against a band of Apaches. He was a true Bad Ass. The kind of star that they just don't make anymore.

Wednesday, April 2, 2008

Let's watch WE OWN THE NIGHT!

Since the writer's strike has ended television shows have begun to pick up steam again and I am seeing myself have less and less time to watch movies. It's upsetting really but it always seems to happen around this time of year anyways. You see, I am one of the people that find myself inexplicably sucked into such shows as American Idol and Dancing with the Stars and American's Next Top Model; all of which seem to air on multiple nights throughout the week. On top of that, I recently downloaded and watched the excellent third season of Weeds. I am however still doing my damnedest to watch as many movies as I possibly can.

While visiting my parents over the weekend I got the chance to watch No Country for Old Men again on their huge Sony Bravia flat panel. It was equally amazing as the first time I saw it. I wasn't as struck with Javier Bardem and his Anton Chigurh character as I was when I saw the film in the theater. However, this time around Tommy Lee Jones' performance resonated even more with me. Giving the film another look, I think he should have received a nomination for best supporting actor for this film. Jones' critics knock him because he always seems to play this sort of grizzled character with a southern drawl, but he added much more to this character. Much like his character from In the Valley of Elah, emotion could be felt in subtle facial expressions and body movement. It was certainly a banner year for Tommy Lee Jones who, as an actor, seems to be aging quite well.


I also managed to squeeze in a viewing of The Robert Duvall, Mark Wahlberg, Joaquin Phoenix movie We Own the Night. The story basically involves a black sheep brother(Phoenix) whose father and brother are respected cops. When his Dad is killed and his brother is badly injured by his criminal associates, black sheep bro is forced to play for the good guys and become a cop in order to take down the assholes that murdered his Dad. It's a corny story really, and Eva Mendes as Phoenix's love interest is almost unbearably bad. The three male leads pretty much mail in their performances, leading the viewer to believe that they regretted the fact that they were there making this film. If you feel like watching a cop story that has minimal action or you are a huge fan of Phoenix(who gets the most camera time) then its worth it to rent this only marginally good movie.

Monday, March 24, 2008

Top Ten Favorite Movies of 2007

Better late then never is what I always say. Well I don't really always say that but whatever. My top ten list is finally showing its face so here you go. First though you need to keep in mind that these are my FAVORITE movies of 2007, not necessarily what I consider to be the best films of the year, although several would classify as both. That being said, here we are.....

1. There Will Be Blood
There Will Be Blood
Before this film there was still some question as to whether or not Paul Thomas Anderson was a truly skilled filmmaker, but this movie clearly answers those questions with an emphatic, "You bet your sweet ass I'm a good filmmaker!" The Director/DP combo of PTA and Robert Elswit has proven to be one of the most formidable in Hollywood, their stars shining most brightly in the scenes of the burning oil derrick. And of course there was the performance of Daniel Day Lewis who is acting on an entirely separate plain, far higher, then every other actor in the world. There is a mood creating in the opening sequence that leaves you captivated for the entire film.

2. No Country for Old Men
No Country for Old Men
I am itching to see this film again on a big screen because the cinematography is unreal. Like Robert Elswit(TWBB & Michael Clayton), Roger Deakins had the year of a lifetime showcasing his best work ever in this film but also DPing In the Valley of Elah and The Assassination of Jesse James. The cast was easily the best of any film in 2007 led by Javier Bardem. I think the reason this film won best picture, is because The Coens are slightly better than PTA at crafting a complete film from the actors, to the cinematic elements and the music(or lack there of).

3. Grindhouse
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It's no secret that I love Quentin Tarantino. That combined with the overall experience of going to see Grindhouse made this the most pleasurable movie-going experience of the year. Upon repeated viewings, Tarantino's Deathproof holds up much stronger than Robert Rodriguez's initially hilarious Planet Terror. Ideally these movies should be released in the format they were show in theaters but Deathproof's brilliance is worth buying it all by itself.

4. Atonement
atonement
It surprised me so much how good this movie turned out to be, especially after learning that director Joe Wright used to be a totally tweaked out artist that created projected images to show during DJ sessions in the 90s when the rave scene was blowing up. The cast was really solid, but this film was ultimately aided by an excellent story and yet again another director/cinematographer combo that just blew the doors off audience expectations. The ending was a bit disappointing but the movie was so damn good I didn't even car.

5. Superbad
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Yes, Superbad! Why? Because I laughed more during this film then I did during any other in a long freaking time. I could also relate to the whole, friendship storyline. That, combined with loads of teenage drunk humor and expletives galore!

6. Eastern Promises

Eastern Promises
This movie is kinda like sex. It blows your mind when you first see it and it continues to be good each time thereafter, but nothing compares to that first time. Viggo is hands down the ultimate badass, and David Cronenberg is the master of posing questions of morality as well as internal conflict. Cronenberg is certainly the most genius filmmakers on this list, and this was an amazing continuation of the themes of the acceptability of violence that were first explored in A History of Violence.

7. Zodiac
Zodiac
Zodiac was the most technically perfect film of the year in my mind. Like PTA, David Fincher has officially crossed into the realm of the undoubtedly great filmmaker. Camera angle, framing, composition were all on point throughout this movie. It also helped that he worked with Robert Downey Jr., Mark Ruffalo and a Jake Gyllenhaal.

8. Michael Clayton
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Originally this movie did not make my list, but the longer I put off writing the list, the more i pondered this movie and the amazing emotion that grips you from the beginning. Tom Wilkinson's awesome opening monologue sets the tone and the film never really stops until it reaches the climax.

9. The Assassination of Jesse James by the Coward Robert Ford
The Assassination of Jesse James Movie
It's fitting that Andrew Dominik crafted this compelling tale of the violent legend from the American West because he did such a good job with his first film about a notorious Australian psychopath whom also became a media sensation. I like Brad Pitt, I don't care what anybody else says, and boy was he intimidating in this film. Sam Rockwell is one of the most underrated actors, Casey Affleck is an awesome actor who seems to be on a nice streak of good movies, and this movie also has my favorite character actor who was also in NCFOM, Garret Dillahunt.

10. Once
once
This is another one of those movies where I was completely caught of guard by how good it was. The songs were great, but ever more so I am a sucker for love stories, and this one was great. If you aren't sentimental or particularly interested in music then you might have a hard time finding something to like about this movie. Polarizing as Once may be, I loved it.

Honorable Mention
( and really these film just missed the top ten): Black Book, In the Valley of Elah, The Lookout, Live Free or Die Hard, The Kingdom and so many more.

Sunday, March 23, 2008

The Rundown, No not that movie with the Rock

The Golden Compass: 3 out of 10
Dance Party, USA: 7 out of 10
Emma: 5 out of 10
Gangs of New York: 8 out of 10
Interview with the Vampire: 7 out of 10
Stardust: 7 out of 10
Into the Wild: 8 out of 10
Joe Versus the Volcano: 4 out of 10
Southland Tales: 7 out of 10

Romance 3 Pack

Only You:

A romantic comedy in the traditional sense, Only You has at least two things going for it: the always funny Robert Downey Jr. and Marisa Tomei when she was still extremely charming. As a child Tomei's character, Faith, is told via crystal ball and Ouija board that her soul mate is a man named Damon Bradley. As adulthood approaches she has yet to meet her true love Damon and decides to marry her boyfriend. Just before the wedding she gets a call from one of her fiance's friends named what else but, Damon Bradley. Damon can't make the wedding and must head off to Venice, Italy. Faith and her friend head off in search of him to see if he is in fact her Soul mate. The comedy comes when Downey Jr's character, Peter overhears the women talking about Damon, at which point he assumes the identity of Mr. Bradley to score the lovely Faith. Only You isn't the best romantic comedy of all time but it's certainly worth watching if you get in the mood.


Punch Drunk Love:

I felt the desire to sit back down and watch this film after experiencing Paul Thomas Anderson's There Will Be Blood for the second time. Certainly not a typical romantic comedy, I'd say Punch Drunk Love is more of a dark comedy, but it's definitely romantic. Emily Watson is one of my top five favorite actress's and Adam Sandler is pretty awesome as a maladjusted businessman with serious anger management issues. PTA's talent for framing a shot and overall composition is evident as well as his unique storytelling abilities. People expecting a run of the mill romantic comedy will be bored with the first 45 minutes to an hour of the film, but overall Punch Drunk Love is a must see movie.


Tyler Perry's Why Did I Get Married?:

I am among the small group of people I know that actually enjoy a Tyler Perry movie now and again. Is he a great filmmaker? Is the acting in his films excellent? No and No. Are there too many faith-based musings in his movies? Yes. But the films themes appeal to baser human emotions and if you're a sucker then you enjoy that. Pop Culture extraordinaire, David Walker summed up the media beast that is Tyler Perry far better than I could on MSN this week.

Monday, February 25, 2008

Reviewing the Oscars


This year I was more interested in the Oscars then ever before. It's probably because I saw more of the nominated movies than usual and because I was caught up in the post writer's strike excitement.

In case you missed it, E! News began their Oscar coverage sometime around 8 am Pacific time; a whopping 9+ hours before the awards show began. I think I watched about 3 or so hours of Debbie Matenopoulos, Guiliana Rancic, Ryan Seacrest and company interviewing various style gurus about the most superficial details known to man. I don't know why I don't get disgusted with myself for watching this shit but at just holds my attention. Maybe it's because of moments like the one where Gary Busey talked shit to Ryan Seacrest, praised Laura Linney for her performance in The Savages, then after failing to recognize the gorgeous-looking and clearly horrified Jennifer Garner proceeded to hug her and kiss her on the neck. Awesome!

By the time the show started I was exhausted but I have to say I enjoyed it. I don't like Jon Stewart at all, but he was really funny. The I-Phone bit was hilarious although David Lynch already talked shit about watching movies on the I-phone.

The most notable thing were the numerous montages employed by the Oscar crew. I don't know how many montages are too many. I do know that you have to have the "In Remembrance" and "Greatest Oscar Moments" montages. We all could have probably done without a different montage before each award. If we want to put a positive spin on all the montages, one could say that maybe the montages will open your eyes to an actor or film that you have never seen. Other than that, it seems that people often criticize the length of the show so cutting out a few montages may help remedy this. Montage. Montage. Montage. I just wanted to see how may times I could use that word in one paragraph.

There weren't really any surprises as far as the awards go, with the possible exception of Tilda Swinton winning best supporting actress(I'm pretty sure everyone expected Cate Blanchett to win, although no one cares that she didn't). I loved seeing the actors/musicians/lovers from the film Once perform their nominated song, "Falling Slowly". After wanting to gouge my eyes out seeing three songs from Disney's Enchanted, the highlight of the night came when Glen Hansard and Markéta Irglová were awarded best original song! Check out their performance if you haven't see it yet


When Adrien Brody was given the Oscar for best actor in 2003 over Daniel Day Lewis for Gangs of New York I was so pissed, because at the time I thought his performance as Bill The Butcher was legendary. I've been so pleased at all of the praise he's received throughout the award season; and last night I was just happy to see that Daniel Day Lewis' work in There Will Be Blood(topping his Gangs of New York performance and In my opinion turning in one of the greatest performances of all time) was validated as being the best.

The Oscars are great. You have to expect the superficial, annoying entertainment reporters and excessive montages. You watch because it irritates you so much that you love it. And, of course, you love movies.